Sitemap - 2023 - The Guitar Practice
TECHNIQUE 96: Palm-muting with 7s and 5s
THEORY 42: Chord Substitutions 6
MISC 24: Rock Guitar - the Lineage of Britain
Arpeggios 25: Dm using Interlocking Shapes
THEORY 41: Improv 10 - Outside the Pentatonic
THEORY 8: Chords - Mining in Em
PRACTISING 9 : Stuck in a Rut 2
CHORDS 62: Rhyme of the Augmented
ARPEGGIOS 24: Diminished Triad using CAGED for Improv
THEORY 40: Improv - the Holdsworthian Method
GEAR 22: Plectrum Material & Strumming Tone
THEORY 39: Interval training for chord building - all positions
MUSIC PRODUCTION 5: Exporting a Tempo Map from Protools
ARPEGGIOS 22: Inverting and Suspending
Bass 11: Triads, Partial Bars, Fingerpicking and Moving Bass Lines
ARPEGGIOS 21: Transform to Chord and Back
TECHNIQUE 94: Alternate Picking, Mutes, Accents, Tension & Release and Time Changes
GEAR 19: Troubleshooting Noise
PRACTISING 8: Improv with Rhythm & Lead
MISC 22: Sustenance for Musicians
NOTATION 19: Staff/Fretboard Orienteering
TECHNIQUE 91: Chords - Thumb Positioning for Stretching
PRACTISING 7: Classic Tracks & Chords
SCALES 23: Major & Major Blues Duo
TECHNIQUE 90: Hammers/Pulls, Alternate Picking and Switching
TECHNIQUE 89: Picking Adjacent Strings
MUSIC PRODUCTION 4 - File Management, Backups and Security
THEORY 38: Chord Substitutions 5 - Pivot Chords 2
THEORY 37: Chord Substitutions 4 - Pivot Chords 1
THEORY 36: Chord Substitutions 3 - Common Voices
THEORY 35: Chord Substitutions 2 - Nested Triads
THEORY 34: Chord Substitution 1 - Extensions
THEORY 33: Improv 9 - Pentatonic plus 1
THEORY 32: Jargon - Scale Names
NOTATION 16: Beams and 3, 6, 9.../8 Time
CHORDS 61: Chord Scale 14 - 9ths
7str 20: Arpeggios - Interlocking Maj 7ths
7str 19: Arpeggios - min (maj7)
PRACTISING 6: Combining Sections
GEAR 17: Introduction to Baritone
TECHNIQUE 87: Common Fingers 3
TECHNIQUE 86: Mobile Picking Hand
TECHNIQUE 84: Groups of 7s, Accents, Muting and Position Shifting with the new Strandberg
TECHNIQUE 83: When in Need - Artificial Harmonic and/or Tap
COOL PARTS 20: Clapton - Tears
COOL PARTS 19: Anon - West Bank
7str 18: ARPEGGIOS - Augmented (maj #5)
BASS 5: Essential Fingerstyles
BASS 4: Movable Minor Chord Shapes
THEORY 30: C flat and the double-flat 7ths
MISC 18: The Common Denominator
MISC 17: Vox 3 - Harmony and the Harmonic Minor
CHORDS 57: Chord Scale 13 - 9ths
TECHNIQUE 82: Fingerpicking - the 4th
TECHNIQUE 81: Alternate-Picking Chords with Extras
COOL PARTS 17: Knopfler - Wild 1
ARPEGGIOS 20: Minors Revisited - All Positions
7str 11: Extending the 6str Scale Shapes
GEAR 15: One Person's Junk, Classic Guitars & Deceased Estates
TECHNIQUE 80: Fingerpicking Chords with Extras
THEORY 28: Improv 8 - Relative Chromatics
MISC 15: Pick location, the Harmonic Series & Timbre
THEORY 27: Same Notes, Different Groove
COOL PARTS 16: Bach - Toccata & Fugue in Dm
COOL PARTS 15: Sting - Various
COOL PARTS 14: Stravinsky - Rites
THEORY 26: Improv 7 - Juxtaposing Scales
7str 13: ARPEGGIOS - Minors (add 2, 4, 6, 7)
7str 12: Whole-Half Diminished Scales 3
GEAR 14: Multi-Scale Bridges & Fanned Frets
TECHNIQUE 79: Metalwork 12 - Power Chord Fingers
CHORDS 52: Classic Progressions 1 - Moonlight
CHORDS 50: The min 7 b5 sus b9 add 11
COOL PARTS 13: Friedman - Holy
MUSIC PRODUCTION 3: Transfer Audio from Protools to Logic
COOL PARTS 12: Slash - The Flashy Lick in Sweet Child
GEAR 13: Tech Tips 3 - Removing Bridge Pins 2
THEORY 25: List of Keys with tasks
SCALES 21: Building - Deconstructing
TECHNIQUE 78: Fingerpicking, Hammers & Independence
TECHNIQUE 75: Metalwork 11 - Atonal Riffs
TECHNIQUE 73: Strumming 8 (Gilmour)
TECHNIQUE 72: Alternate Picking 4 (Yorke)
BASS 1: Essential Arpeggio Shapes
CHORDS 48: Using Mods - Invert, Shuffle, Bar...
COOL PARTS 9: Jimi - Little Wing
COOL PARTS 10: Gilmour - Hey You
MUSIC PRODUCTION 1: Conducting with Automation
GEAR 12: Tech Tips 2 - Removing Bridge Pins 1
TECHNIQUE 70: Metalwork 10 - Switching Gears
TECHNIQUE 69: Fingerpicking 15
TECHNIQUE 68: Strumming 7 (Page)
TECHNIQUE 67: Strumming 6 (Page)
TECHNIQUE 66: Metalworks 9 - Downstroking
TECHNIQUE 65: Metalwork 8 - Muted Mixing
TECHNIQUE 64 : Alternate Picking 3 (The Animals)
NOTATION 11: Non-English Terms
THEORY 24: Improv 6 - Refining Ideas
THEORY 22: Improv 4 - 12 notes, 1 chord
CHORDS 47: The Augmented Dom 7
CHORDS 45: The min 9th (Foo Fighters, Metallica, Megadeth)
CHORDS 40: Don't Fear the Name
CHORDS 39: Chord Scale 12 - 7ths
TECHNIQUE 63: Metalwork 7 - Start Slowly
SCALES 17: The Japanese Pentatonic
SCALES 16: Diminished 2 - Whole Half
SCALES 15: Diminished 1 - Half Whole
SCALES 14: The Mixolydian Mode
SCALES 13: Minor Scale - Contra
ARPEGGIOS 15: Dom7 with Extensions
CHORDS 35: Enhanced 8 - open G
CHORDS 34: Enhanced 7 - open E
CHORDS 33: Enhanced 6 - open A
THEORY 20: Improv 3 - Chromatic notes
THEORY 19: Improv 2 - jump off a chord
PRACTISING 4: Stuck in a Rut 1
TECHNIQUE 61: Metalwork 6 - Essentials
TECHNIQUE 55: Strumming 4 - Funk
TECHNIQUE 54: Moving Shapes 2 - Bars
MISC 5: Books, Websites, Podcasts, Videos
COOL PARTS 4: Lennon & McCartney - I Want You
COOL PARTS 3: DiMeola - Sundance
SCALES 11: Melodic Minor Mode - Ionian (#4, #5)
THEORY 16: Jazz Chord Charts 2 - Shorter
TECHNIQUE 51: Fingerpicking 14 - Jazz 2
TECHNIQUE 50: Fingerpicking 13 - Jazz 1
CHORDS 32: Enhanced 5 - open Dm
COOL PARTS 2: Murray & Smith - Phantom
THEORY 15: Jazz Chord Charts 1 - Coltrane