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7str 2: Whole-Tone Scale 1

GEAR 7: Modifications

SCALES 8: Three Octave Shapes

SCALES 7: Improv

SCALES 6: Major & Modes

SCALES 5: Blues expanded

SCALES 4: Minors

SCALES 3: Major - 5 shapes

SCALES 2: Single-String

SCALES 1: Chromatic, Major, Minor & Blues

GEAR 6: FX - Loopers

GEAR 5: Illusions

GEAR 4: Chasing Tone

GEAR 3: Do You Need a Setup?

GEAR 2: FX - Dirt

GEAR 1: Tech Tips 1: Guitar Preservation

7str 1: TECHNIQUE

TECHNIQUE 48: Sweeps 2

TECHNIQUE 48: Sweeps 1

TECHNIQUE 47: Metalwork 5

TECHNIQUE 46: Metalwork 4

TECHNIQUE 45: Metalwork 3

TECHNIQUE 44: Metalwork 2

TECHNIQUE 43: Metalwork 1

TECHNIQUE 42: Tapping 1

TECHNIQUE 41: Turns 4

TECHNIQUE 40: Turns 3 - Compound

TECHNIQUE 39: Turns 2 - Repetitive

TECHNIQUE 38: Turns 1

TECHNIQUE 37: HPs 4

TECHNIQUE 36: HPs 3

TECHNIQUE 35: HPs 2

TECHNIQUE 34: HPs 1

TECHNIQUE 33: Timing & Counting

TECHNIQUE 32: Decorate Chords

TECHNIQUE 31: Chord Bass lines

TECHNIQUE 30: Harmonics 1

TECHNIQUE 29: Independence 3

TECHNIQUE 28: Independence 2

TECHNIQUE 27: Independence 1

TECHNIQUE 26: Moving Shapes 1

TECHNIQUE 25: Hybrid Picking 2

TECHNIQUE 24: Hybrid Picking 1

TECHNIQUE 23: Fingerpicking 11 - Spanish 1 (Rolling Stones & Albeniz)

TECHNIQUE 22: Fingerpicking 10 - blues 3

TECHNIQUE 21: Fingerpicking 9 - blues 2

TECHNIQUE 20: Fingerpicking 8 - blues 1

TECHNIQUE 19: Fingerpicking 7

TECHNIQUE 18: Fingerpicking 6

TECHNIQUE 17: Fingerpicking 4 and 5

TECHNIQUE 16: Fingerpicking 3

TECHNIQUE 15: Fingerpicking 2

TECHNIQUE 14: Finger Picking 1

TECHNIQUE 7: Muted Picking

TECHNIQUE 13: Strumming 3 - Reggae

TECHNIQUE 12: Strumming 2 - Pop & Indie

TECHNIQUE 11: Strumming 1

TECHNIQUE 10: Alternate Picking 2

TECHNIQUE 9 : Alternate Picking 1

TECHNIQUE 8: Picking Location

TECHNIQUE 7: Bending & Vibrato

TECHNIQUE 6: Note Locations

TECHNIQUE 5: Fingertip Proximity

TECHNIQUE 4: Finger Flexibility

TECHNIQUE 3: The Pick & Fingers Switch Trick

TECHNIQUE 1: The Rudiments

7str THEORY: Altered Tunings 1: Sus b9

NOTATION 4: PIMA

NOTATION 3: Multiple locations

NOTATION 2: Scores 1

NOTATION 1: The Dots

THEORY 14: Loose Threads

THEORY 13: Juxtaposition

THEORY 12: Barry Harris Lessons

THEORY 11: Consolidating Shapes

THEORY 10: Creativity

THEORY 9: Improv 1

THEORY 7: Timing

THEORY 6: Altered Tunings 1

THEORY 5: Intonation

THEORY 4: Drilling Intervals

THEORY 3: Key Signatures

THEORY 2: Developing a Key

THEORY 1: Notes, Scales, Modes, Intervals, Chords

ARPEGGIOS 14: min 7 b9 with Improv

ARPEGGIOS 13: The Altered Dominants

ARPEGGIOS 12: Re-shaping

ARPEGGIOS 11: Maj 7 #11

ARPEGGIOS 10: Converting 7ths

ARPEGGIOS 9: CAGED min7

ARPEGGIOS 8: Minor b6 (or b13)

ARPEGGIOS 7: Major 6th (or 13)

ARPEGGIOS 6 - Extend the Triad

ARPEGGIOS 4: Converting

ARPEGGIOS 3: Minors

ARPEGGIOS 2: Major Triad with add 2, 4, 6, 7

ARPEGGIOS 1: 'Harp-like' Chords

BASS 7: Harmonised 3rds

CHORDS 28: Triad Mining

CHORDS 27: Various 7 - Polychords

CHORDS 25: Common Fingers 1

CHORDS 24: Bars with Open Strings

CHORDS 23: The Sus2 & Add2 (or 9)

CHORDS 22: The Dim 7

CHORDS 21: Building 1 - Interval Formulae

CHORDS 20: Enhancements 4 - open D major

CHORDS 19: Enhancements 3 - open C major

CHORDS 18: Enhancements 2 - open A minor

CHORDS 17: Enhancements 1 - open E minor

CHORDS 16: Chord Scale 12 - major triads

CHORDS 15: Chord Scale 11 - Substitutions

CHORDS 14: Chord Scale 10 - 13ths (or 6)

CHORDS: Chord Scale 9 - 7ths with sus11 (or 4)

CHORDS 13: Chord Scale 8 - 9ths (or 2)

CHORDS 12: Chord Scale 7 - 7ths

CHORDS 11: Chord Scale 6 - 6ths (or 13)

CHORDS 10: Chord Scale 5 - add 4ths (or 11)

CHORDS 9: Chord Scale 4 - Eb or Cm

CHORDS 8: Chord Scale 3 - F or Dm

CHORDS 7: Chord Scale 2 - E or C#m

CHORDS 6: Chord Scale 1 - D or Bm

CHORDS 5: CAGED System 2

CHORDS 4: The CAGED System

CHORDS 3: open C7, A7, G7, E7, D7

CHORDS 2: open C & G major

CHORDS 4: Grappling with Bars

CHORDS 1: open A, D, E (major & minor)

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